I specialise in historical and traditional silver based photography using period photographic equipment. My work emphasises natural light portraiture, mainly in natural settings. Thematically my work encompasses pictorialism and ethereal timeless undertones, inspired by renaissance art.

The processes I currently use for picture taking are wet plate collodion, dry glass plate, paper negative process, Greenlaw’s calotype process and X-ray films as well as standard roll film and sheet films.

For printing I use standard silver gelatin paper, albumen printing, salt printing, Van Dyke brown and occasionally lith printing and cyanotype.

If this sounds interesting to you, please don't hesitate to get in touch! I'm open to commissions and collaboration, as well as consultancy and tutoring of traditional photographic mediums.


Previous Work

Education 

2016 - 2019 Leeds Arts University, 1st Class Honours in Photography 

2015 - 2016 Kendal College of Art and Design, UAL Foundation Diploma. Distinction  

Credits

2024 National Science and Media Museum

The Universe in the Storeroom: Photographing the Stars

2022 Netflix - Project IV: Bodies

Historical Camera Consultant, Darkroom Work

2019 Sonder Creative

2019 BBC - Hidden History: The Lost Portraits of Bradford

Historical Camera Consultant and Technician

Commissions

2022 The Space to Come - The Telling Place

Exhibitions 

2019 LAU, Push and Pull

2019 LAU, Amalgamate

2017 Sunny Bank Mills, Ones to Watch 2017

Published Work

2020 In The Middle - The Gryphon Issue #1

2018 Kafkaesque - Uncertain Magazine Issue #2